Saturday, February 9, 2019

Aspects of Love in William Shakespeares Romeo and Juliet :: Romeo and Juliet Essays

Aspects of Love in William Shakespeargons Romeo and Juliet Aspects of Love prove the various forms of love that are present in Shakespeares Romeo and Juliet. Its a clich to advance that Romeo and Juliet is the greatest love story perpetually told. People say this because it is the to the highest degree famous love story told and the play has various aspects of love and non only one. Even the phrase the greatest love story ever told was used as a tagline for the recent Baz Luhrmann film. The prologue is full of violent and oppose language e.g. ancient grudge, civil blood, fatal lions, death- marked, rage. But also has oral communication to do with love e.g. star crossed lovers. You can already part that this is going to be a love story with trouble, worry and strength in it. The first reference to an aspect of love in this supposed greatest love story ever told after the Prologue is to featherbed and whence lust not love. The first two characters that the audience is introduced to are Sampson and Gregory. They are vulgar and crude, making many sexual references and innuendoes. They do not envision love as involving emotions or desires, but as a stringently physical thing, sexual not emotional. Sampson refers to women as weaker vessels and tells of how he will rape the maids of the Montague household Women being the weaker vessels are ever thrust to the wall, I will push Montagues men from the wall, and thrust his maids to the wall. Both Sampson and Gregory brook petty and narrow perceptions of love. Neither of them appears to have ever experienced full-strength love. They talk in a crude and coarse manner and bring out women as objects not people. Courtly love characterises Romeos behaviour at the adopt as he mopes over the unattainable Rosaline. This is only speeding class and is not necessarily about love. It is really a serial publication of expectations, aristocratic societies expected their young men to idolise a charr out of their league. This happens to Romeo because he is self-pitying

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