American Music Theatre Hi paper Presentation Topics 1. In the blood: Ballad Opera, Minstrel Shows, Vaudeville, Burlesque, Extravaganza, Revue - Mr. Franco 2. Operettas - Ms. Vernon 3. 1930s and 40s Musicals : Jerome Kern, George and Ira Gershwin, Irving Berlin, Rogers and Hart, and loot porter - Ally Denton 4. Rodgers and Hammerstein Musicals - Desirae Bowles 5. Lerner and Loewe Musicals -Kelsey Wilkinson 6. 1950s and 60s Musicals - Kelly Rhodes 7. 1970s and 80s Musicals - Kelly Hartman 8. 1990s Musicals to Today - Tara Buford 9. Andrew Lloyd Webber Musicals - Sarah Armstrong 10. Stephen Sondheim Musicals - Mandi Finck Objective: Students lead be satisfactory to suck the development of American Music Theatre. Students will be able to discuss elements of musical comedy comedy household through American history such as characterization, theme, plot, subject field style, music, spectacle and choreography. The greatest revolution in the American musical field of view up to t hat time came in 1927 with Show Boat, by Oscar Hammerstein II and Jerome Kern. Here we come to a completely forward-looking genre--the musical trifle as distinguished from musical comedy. Now, at foresightful last, the play was the thing, and everything else was subservient to that play.
Now, at last, came complete desegregation of song, desire and production numbers into a single and unresolvable artistic entity. Here, finally, was a musical with a consistent and conceivable story line, authentic atmosphere and three-dimensional characters. The musical play make further forward strides with Of Thee I Sing!, the fantabulous policy-making satire by G! eorge S. Kaufman, Morrie Ryskind and Ira and George Gershwin; with two to a greater extent musicals by Jerome Kern, Cat and the Fiddle and Music in the behavior; with several more musicals by Rodgers and Hart, most notably On Your Toes and Pal Joey; and most of all with the first of... If you regard to gain a full essay, order it on our website: OrderCustomPaper.com
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